The other day we received this email from artist Siobhan Humston:
On the theme of New Year & lists, I thought you may enjoy this list from a former school mate of mine, Mark Alessio. He was killed in Africa a few years ago and on the Facebook memorial page, a friend of his posted a page from his at-the-time current resume.
I adopted it as my email signature for a long time and posted it often…the poignancy of his succinct mandate and his death is something that always seemed to touch a cord with people, even those who knew nothing of his brilliant, full but short life.
It makes us think about what list we’d make…as we come across potent principles, we’re going to make a practice of writing them down: ‘proceed with gratitude’ to start. Got any we should know about?
There’s something I’m finding out as I’m aging — that I am in love with the world…I look right now, as we speak together, out my window in my studio, and I see my trees, my beautiful, beautiful maples that are hundreds of years old. And you see I can see how beautiful they are. I can take time to see how beautiful they are.
Our friend Maureen Rolla turned his words into a New Year’s blessing: read more…
We didin’t realize how much Meg Ryan’s soliloquy from Nora Ephron’s “When Harry Met Sally”is the epitomy of YES, JOY, BEING IN THE MOMENT until we saw artist Rachel Perry Welty‘s wonderful sign. Using letters cut from Ephron’s obituary, she transformed a sad passing into a its much bigger view.
(Video link at Heliotown) Two days before New Year’s, we came across this passage from Mark Halprin’s Winter’s Tale, describing the moment the old year turned into new:
Then the hands of the clock started to race like the tortoise and the hare, and both reached midnight at the same time. The clock struck along with every clock in New York, and church bells, fireworks, and ship whistles sounded all at once…
…several women had begun to cry. The women said it was because of the numbing air that had washed over their bare shoulders, but even strangers embraced sadly as they coasted into the new year and felt its strength commencing. They cried because of the magic and the contradictions; because time had passed and time was left; because they saw themselves as if they were in a photograph that had winked fast enough to contradict their mortality; because the city around them had conspired to break a hundred thousand hearts; and because they and everyone else had to float upon this sea of troubles, watertight. Sometimes there were islands, and when they found them they held fast, but never could they hold fast enough not to be moved and once again overwhelmed.
It knocked us out, weaving so much of what that moment is into a single paragraph.
(Video link here.) When commercial photographer John Dugdale lost most of his sight almost twenty years ago, he did not give up photography as one would have imagined. Instead, he started photographing in a new way, using a huge view camera and employing 19th century forms and processes. Life forced him to “see in a new way” and his art photographs became highly acclaimed.
Among his many commissions was the ad campaign for a revival of William Gibson’s play The Miracle Worker. This video gives insight into his unique process and the “lesson” he took from his blindness.
“There is an alternate world out there that is as powerful as anything one might describe as normal. Whatever it is that you think is your adversity is actually your strength.” read more…
(Video link here.) Susan Dworski alerted us to this stunning video, in an email with the subject line: “ah, the improvisational human spirit”. It’s about a remarkable orchestra from a remote village in Paraguay — a slum built on landfill — where its young musicians play with instruments made from foraged trash. The village’s inhabitants eke out a living by culling saleable items and materials in the huge dump. When a half-destroyed violin was found, Nicolas Gomezhad the idea to rehabilitate it using found materials; the improvisation of other instruments followed.
It is astonishing to hear the wondrous first strains of Bach’s Suite No.1 in G major Prélude played on a cello improvised out of “an oil can, wood that was thrown away in the garbage…its pegs made out of an old tool used to tenderize beef and to make gnocchi…”
…And to hear how these kids lives have been changed by music: “When I listen to the sound of a violin, I feel butterflies in my stomach.” Says Music Director Favio Chavez, “The world sends us garbage. We send back music.” read more…
The first couple of pages of a 2010 GQ interview we stumbled on intimates that Murray is not all sweetness and light, but he is an acutely original and honest guy whose thought a lot about how he wants to live, and what, exactly, the point is. (If you want to reach him, you leave a message on an 800 number; if he wants to speak to you he’ll call you back!)
Here’s are a few potent life lessons we clipped from the Times piece:
Q. There seems to be so much serendipity in your life. Are you actively cultivating these moments or just hoping that they come to you?
A. Well, you have to hope that they happen to you. That’s Pandora’s box, right? She opens up the box, and all the nightmares fly out. And slams the lid shut, like, “Oops,” and opens it one more time, and hope pops out of the box. That’s the only thing we really, surely have, is hope. You hope that you can be alive, that things will happen to you that you’ll actually witness, that you’ll participate in. Rather than life just rolling over you, and you wake up and it’s Thursday, and what happened to Monday? Whatever the best part of my life has been, has been as a result of that remembering.
Q. Are there days where you wake up and think: “Nothing good has come to me in a little while. I’d better prime the pump”? read more…
…Artschwager’s “blps,” black punctuation-like marks..are intended to make their immediate environment, in the artist’s own words, more “see-able,” and they also offer a chance to pause and reflect.
We figure Artschwager’s exclamation points are a fitting image for Thanksgiving: reminders to pause and reflect on all the teeny miracles around us…
(Video link here.) Several times during the past week, we heard several very creative people we know say “Sometimes I wonder if I’m crazy” meaning…crazy to be doing this…or that…or whatever uncharted path they’ve embarked upon that is not THE NORM.
In honor of them, and to antidote the feeling that “crazy” is bad, we thought we’d reprise this great 1997 Apple ad that salutes “the rebels, trouble makers, the ones who see things differently...the people who are crazy enough to think they can change the world are the ones who do.”
As our assistant Dese’Rae L Stage, who stumbled on the great ad summed it up: “the ones who get shit done, basically.”
We’re thinking “Here’s to the rebels, trouble makers, the ones who see things differently….” would make a great Thanksgiving toast.
After we posted this, Jody Lotito Levine, sent us this poem on the subject by Tyler Knott (another brilliant soul feeling ‘crazy’) : read more…
In the wake of Hurricane Sandy, we followed the New York Time’s blog Storm Aftermath: Live Updates and hit upon an amazing post called “Finding Good Neighbors in Wake of Disaster” by Marcus Yam. Because it had no hyperlink, we excerpted much of it below. The gist: neighbors are one of the best resources you can have, both for tangible help, moral support and for unexpected collaborations in problem solving. Amidst the horrifc devastation of Sandy, this has been the ongoing theme.
Then on Sunday night, CBS’ 60 minutes covered the amazing community of Belle Harbor, Queens, where over 100 houses were burnt to the ground by fires during Sandy. (Video link here.) It is a stunning 13 minutes about what the word community really means. read more…